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| Visiting Lecturer in Music (Musicology)
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| Distinguished Professor of Music (Musicology) J. Peter Burkholder's research interests include twentieth-century music, Charles Ives, American music, musical borrowing, and musical meaning and analysis.
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| Assistant Professor of Music (Musicology) Phil Ford previously taught at the University of Texas and Stanford University, where he was a fellow of the Stanford Humanities Fellows Program. His work deals with American popular music in the cold war, performance and auditory culture studies, and the intellectual history of counterculture.
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| Assistant Professor of Music (Musicology) Goldberg's research includes Chopin, music in Poland and Eastern Europe, performance practice, reception, and national constructs.
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| David H. Jacobs Chair in Music; Distinguished Professor of Music (Musicology); Director, Center for the History of Music Theory and Literature
A specialist in the history of music and music theory in the ancient worlds and the Middle Ages, Thomas Mathiesen is a Fellow of the American Academy of Arts and Sciences.
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| Associate Professor of Music (Musicology); Director of Graduate Studies Daniel R. Melamed's research interests include J.S. Bach and the Bach family, performance practice, Mozart's operas, and problems of authenticity and attribution.
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| Associate Professor (Musicology)
Kristina Muxfeldt's research interests include music history, biography, analysis, and reception, with particular emphasis on the cultural and social environment of early nineteenth-century music, as well as opera in Weimar and Vienna.
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| Associate Professor of Music (Musicology); Chair—Department of Musicology
Massimo Ossi's research interests include early seventeenth-century Italian music theory and aesthetics, Italian lyric poetry, opera, and the Italian madrigal.
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| Assistant Professor of Music (Musicology) Ayana Smith's research interests are in eighteenth-century Italian opera, nineteenth-century art song, and music and literature.
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